I have a real soft spot for Victorian embroidery, especially the garish, somewhat cluttered designs that appear in Berlin woolwork. Sometime around the mid 1800s, aniline or artificial dyes were introduced, giving a different range of colour possibilities in textile production. For a while the Victorians used colour with gay abandon, sometimes quite harshly, but time generally mellows all but the most strident of colours in wool and silk, the decorative, typically Victorian embroidered pictures still have great appeal. Often worked from mass-produced painted cardboard gridded designs, and eventually on pre-printed canvas, the Victorians displayed an extraordinary sense of verve and colour in their work.
Please click on each photogragh to see the detail.
Please click on each photogragh to see the detail.
What is the contraption that the loving couple are gesturing to, that is on his knee? Is it a mousetrap??
ReplyDeleteClose, its a birdcage, a common romantic motif, either the release of a captive bird - my take on it as I hate the idea of caged birds - or more likely, the caged bird is a metaphor for the captive hearts and love of the romantic couple!
ReplyDeleteNow I understand why some of these pieces are so bright, but I too love them. And you find the beauties every time.
ReplyDeleteThey are comparatively easy to find very cheaply as they were so popular! While framed examples are often high-price, unframed panels can be bought for a few pounds, thats one of their attractions! x
ReplyDeleteWHAT A BRILLIANT BLOG I love the 12 days of Christmas and think this is so clever
ReplyDeletewell done Happy Christmas Linda
Thanks Linda, I am glad you like it! Hopefully we will meet up at a fair at some point in the New Year. All the best to you and Merry Christmas! x
ReplyDelete